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Posts tagged ‘band of brothers’

Harry Gartner, oral history and personal primary sources

Harry Gartner passed away recently. And unless you’re a huge World War II history buff, that probably doesn’t mean much.

For those who aren’t huge World War II buffs, Harry Gartner was drafted in May 1944, given 17 weeks of basic training and shipped to Europe in December. Within days of arriving in England with minimal training and no experience, he was on the front lines in Luxembourg, fighting to repel Hitler’s last ditch effort in the Battle of the Bulge.

Yesterday, I talked a bit about Dick Winters and how we need to have our kids collect and organize their own primary source documents. Stephen Ambrose collected oral histories as part of his National World War II Museum project, leading to his book Band of Brothers.

We can and should model this sort of primary source collecting for our students and ask them to do the same.

Lindell Redington, a teacher friend of mine, started the process with her father, Harry Gartner. She began collecting oral histories, stories and photographs last year and has put together a quick and easy model for the rest of us.

Like Ambrose and Winters, Lindell asked her father to describe his experience as an enlisted soldier during World War II, recorded his account and, along with some photos, published it in a Word document.

It’s a pretty typical story. After 17 weeks of basic training in Alabama, Harry and others eventually ended up in Boston for transport to Europe:

As our names were called, we answered “Yep” and walked up the gangplank carrying full gear.  Around 5:00 P.M. on December 12, we set sail for England.

After arriving in England, Harry’s group was shipped to Cherbourg, France:

Once on shore we were marched to a basement.  There were about thirty of us in that location.  All around were buildings that the Germans had bombed; they were just piles of rubble.

The group was then rushed to Luxembourg to help slow down attacks being made by experienced, highly trained German tank divisions. Eventually he jumped off the back of a truck and was instructed to walk up a hill with rifle loaded:

The Germans were to the right, and the Americans to the left. At the top of that hill we turned left and headed into the forest.  Once in the forest, we met the rest of the company.  They had been pushed back about a mile.  There were only thirty-three soldiers left after that attack.  It was quite a feeling knowing that only thirty-three of two hundred plus had survived.

The Germans began shooting shells into the forest.  You can hear those shells coming.  We were told to hit the foxholes.  Another guy and I jumped in and lay on our rifles to keep them from getting dirt in them.  A shell hit so close it shook the logs over our heads and we were covered with about three inches of sand.  Some soldiers never got any further than that; they were killed as they were being organized into platoons.  We stayed in that forest for two days.

Accounts recorded by Ambrose describe the bitter cold of that winter. Harry suffered in similar ways:

Our squad was then sent down to a roadblock to dig new foxholes.  But the ground was frozen so hard we could not dig any holes.  We hid behind the pine trees for cover.  Our soldiers had grenades and a flame thrower used to blow up tanks.  We could hear the German tanks, but they never came to the roadblock.  There was about five inches of snow on the ground and we had no overshoes.  That night we were sent to the front lines.  The men walked twelve abreast—one squad.  Each squad followed the other in that formation.  We had to step over dead soldiers as we walked.  When we arrived at the front lines, we used the foxholes that had already been dug.  Two men per foxhole.

It was so cold I had to punch the ice plug out of the neck of the canteen to get any water.  Men also got frostbite from the cold.  I had to take off my boots and rub my feet.  I wore two pairs of socks.  When the socks got damp, I placed them on my head under my helmet to dry out.  There was no washing or shaving while we lived in those foxholes.  We were dirty and had whiskers down to here.

On January 5th, Harry was sent back from his foxhole to get something to eat. On the return trip of half a mile, Harry’s group began receiving mortar fire:

I felt something hit the back of my leg.  It felt like I had been hit hard with a stick.  I went down.  Richard Helling was in front of me.  I called to him and told him I had been hit.  He said he was down, too.  The man behind us was also down.  I called to him but there was no answer.  I passed out.  When I came to, the snow around me was soaked with blood.

He eventually made it back to the states with a “million-dollar wound” but he noticed something in the company aid station as he was being treated:

It was a German farmhouse.  The family was gone, but all their belongings were still there.  There were German Bible verses on the wall—the same verses on the wall at my home.

A typical story. With typical events.

Unless you’re Lindell.

Then not so typical.

For Lindell, it means a connection to her father that wasn’t there before. These are the kinds of stories that have emotional impact for the people who collect them. Emotional impact means long-term learning.

When students collect these types of primary sources, we don’t have to worry about motivating them to learn. But we do need to work to help kids find interesting stories, help them see the larger context and help structure the learning.

And, like Lindell, a good example never hurts.

Three useful online resources:

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Dick Winters, oral history and personal primary sources.

Dick Winters passed away in early January. And unless you’re a huge World War II history buff, that probably doesn’t mean much.

For those of you who aren’t huge World War II history buffs, Major Richard “Dick” Winters was a retired paratrooper who served as a captain in Easy Company, 506th Parachute Regiment, 101st Airborne Division and made famous as part of Stephen Ambrose’s 1992 best-selling book Band of Brothers and Tom Hank’s 2001 HBO mini-series of the same name.

And if you’ve had a chance to read the book or watch the video (or any of the other books and materials that have been published since 2001), you know Winters was famous for a reason. He was brave, resourceful, smart, protected the men in his care and, while he hated the idea of war, he fought to end it as quickly as possible.

When I heard about Winters death back in January, I ordered up the entire HBO series on NetFlix, re-read Ambrose’s book, dug out Winters own account and read through several other books by men who served with Winters. Yes . . . I’m a huge World War II buff.

But here’s the point.

None of these stories would have been known, we wouldn’t be able to learn from them, if someone wouldn’t have written them down. In the case of Easy Company, that someone was Stephen Ambrose.

What stories are we asking our students to write down? What artifacts, photos and documents are they talking about?

About a year ago, I threw up a quick post that talked about what I called Personal Primary Sources. I had run across some old, boxed up photos and documents from the time my parents spent in the Belgian Congo. We spread those out during a recent family reunion and spent hours with my mom reliving those events.

We need to do the same sort of thing with our kids. I wrote this a year ago:

I think that sometimes we forget how powerful primary sources can be.

Especially . . . especially those that have a personal and emotional connection to our students. And there’s absolutely nothing wrong with using primary documents that came with your textbook, or you got from the National Archives or even those that show up in some of those cheesy jackdaw collections.

But think about how powerful history becomes when it’s studied with documents generated by students themselves.

That’s the “so what.”

The documents posted here mean something to me. I know the people in the picture. I’ve asked my dad about the giant snake. There’s already an emotional connection built-in . . . what I need is a teacher to help me see the connection to a bigger world, to help me ask bigger questions.

Oral history is an easy, quick way to start the process. Kids can interview parents, grandparents, friends of grandparents, museum curators . . . heck, have ‘em practice on each other. But when kids are the ones doing the collecting, the questioning, the archiving, that’s also when they’re learning.

Tomorrow? What it looks like in practice.

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