Several years ago, I posted a quick article highlighting the 75th anniversary of Executive Order 9066. It was a good reminder for me about the power and impact of executive orders. As you begin to plan for the upcoming school year, don’t shy away from using primary sources like photographs that document uncomfortable topics. Lean into them.
Today? A Monday Memory flashback post from 2017.
You all know photographer Dorothea Lange. If not Dorothea herself, you’ll recognize her famous candid photos taken during the 1930s highlighting the struggles of Americans suffering during the Great Depression. Her iconic Migrant Mother and the series of photos around that image depict the desperation many felt during the period.
Later in 1942, she was hired by the US government to capture images of the relocation of Japanese-Americans affected by President Roosevelt’s Executive Order 9066. Thousands of American citizens were being stripped of their civil liberties, their businesses, and their homes before being placed in internment camps scattered around the country.
Lange was originally opposed to the idea but accepted the task because she thought “a true record of the evacuation would be valuable in the future.” But after reviewing her photographs and their portrayal of the Japanese American experience, the military became concerned how the images of the internment program would be received by the public.
So government leaders Read more
I’ve seen it so many times.
And you probably do it every day, without even realizing it.
I’ll be chatting with a teacher just before they start a class or enter their room and there is subtle but powerful shift in body language. It’s happened so often, I started calling it the Wonder Woman pose. You’re making a very deliberate mental shift to teacher mode and that mental adjustment impacts how you stand and move.
I asked a teacher about it once and she said:
“I’ve never really thought about it. But I guess I’m thinking about what I need to do and how I’m going to do it. I’m clicking on a mental tool belt.”
She’s right. We all put on a virtual tool belt every time we get in front of students. Pulling out just the right tool for a specific task.
If you’ve never been to the Google Arts & Culture site, this is truly one of those tools that needs to be in your instructional tool belt. Arts & Culture gives you free access to millions of primary and secondary resources to use as part of your instruction and learning.
Basically it’s a database of artwork, objects, artifacts, and documents from thousands of museum collections and historical sites from around the world. Much of this content comes from Arts and Culture partners – public museums, galleries, and cultural institutions. These partners also provide such things as 3D tour views and street-view maps that allow you to “walk” through their actual brick and mortar sites. Read more
School looks different today than it did back in 2017 when I first wrote this. But I think in many ways it applies more now than three years ago.
Why? Because it’s easy right now to revert back to the familiar. To what’s comfortable for us. But the situation teachers and students and families are in right now lends itself to innovation and change and problem based learning. To exploration and virtual reality and primary sources and datasets and all sorts of things that we know are good for kids.
So here it is. A Wayback Wednesday History Tech re-do.
And I know you may not be in the right place for this right now. I get that. If that’s you, I’m good. File this away then for next fall – it’ll still be here.
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Shocker. Lecturing to students puts them to sleep.
Who could have guessed?
Well . . . I should have. But I didn’t. During my first few years as a middle school teacher and later, during some time I spent teaching in a college social science department, I lectured.
Early on, I didn’t know better. I was taught that way in both K-12 and in my college content courses. There were no real alternatives provided in my ed classes. And I started teaching long before established mentor programs got cranked up. Lecturing in a social studies class was just the way things were done.
By the time I had moved on to higher ed, Read more
My daughter was able to spend some time last year in Washington DC waiting to start an internship at the Smithsonian Museum of American History. And she had a few days to act like a tourist – touring monuments, exploring great little eateries, and visiting museums that have remained open. One of her new faves is the Folger Shakespeare Library. And to be honest, it’s a site I haven’t spent a ton of time exploring until she started texting photos and links to it.
One of the most interesting images for me as a history nerd?
A photo of a botany book from 1672.
Written by a guy named William Hughes, the book focused on the “roots, shrubs, plants, fruit, trees, herbs Growing in the English Plantations in America.” Hughes, who apparently was also a pirate, added a separate “Discourse of The Cacao Nut Tree and the use of its Fruits with all of the ways of making Chocolate into Drink.”
So I’m hooked already. Old books. Chocolate. And piracy. How have I never heard of this place before now?
Here’s the point. We can sometimes get in a rut in our instruction. Textbooks. The occasional SHEG lesson plan. Some Library of Congress documents now and again. And a test. There always seems to be a test.
But we shouldn’t forget that Read more
I got the chance to attend and present at the very awesome Minnesota Council for the Social Studies conference this weekend. (Thanks @jessellison!) Spending time with hundreds of other social studies teachers is always a good thing. I always walk away smarter.
But some days you don’t just walk away smarter . . . you walk away SMARTER. Today was one of those days. And I know that I just posted something a few days ago about the new cool Smithsonian Open Access tool. But this afternoon, Orlando Serrano from the Smithsonian National Museum of American History highlighted a new website from NMAH that really blew me away. And I gotta share. Read more
You all know how much I love the Smithsonian. Between their 19 brick and mortar museums, the amazing Learning Lab, the History Explorer, and their handy digital resources, it can be difficult deciding where to start.
And the decision just got a bit more difficult. The Smith just released a new site called Open Access focused sharing almost three million still images, text, sound recordings, research datasets, 3D models, and collection data. It gives you free and easy access to 2D and 3D images from all 19 Smithsonian museums, its nine research centers, libraries, archives, and the National Zoo, all in the public domain. Use however you want for whatever you want as mush as you want.
All perfect for teacher lesson plan creation and student research.
I especially love the 3D objects and images of artifacts. With Smithsonian Open Access, they’re increasing our ability to use millions of digital assets all carrying what’s called a CC0 designation. This means the Smithsonian dedicates the digital asset into the public domain, meaning the collection is free of copyright restrictions and you can use it for any purpose, free of charge, without further permission from the Smithsonian. How cool is that? Read more