Art is hard. It’s not that I don’t like it. It’s that sometimes I just don’t get it. Maybe it’s modern art that causes me trouble. Maybe I’m just too literal. The piece to the left hanging in Seattle’s art museum? I got nothing.
But with the help of an older sister and a daughter, both strong with the art force, I’ve gotten better at making sense of color, shape, perspective, of context and hidden messages. And with the help of a lot of bright people at places like the Smithsonian and Library of Congress, I’m also getting better at looking at art as a form of primary source information, as another way to understand place and time,
For the last few months, I’ve been highlighting the very cool way that teachers are using Norman Rockwell’s Four Freedoms to help students think about the Bill of Rights and contemporary issues. I love using interpretations of the Boston Massacre by Paul Revere and Alonzo Chappel to talk about historical accuracy and encourage historical thinking. The National Portrait Gallery has been huge in showing me ways that we can use portraits such as the Lansdowne image of George Washington by Gilbert Stuart and John Brown in his US Army blanket by Ole Peter Hansen Balling. And who hasn’t used images such as John Gast’s American Progress to lead conversations about Manifest Destiny and the interactions between settlers and American Indians?
But I’m starting to believe even more in the power of artwork as story and primary source. So it’s always great to find another site and set of tools that help integrate art into instruction and learning. I recently ran across SmartHistory and am loving it.
Smarthistory believes that: Read more