My daughter was able to spend some time last year in Washington DC waiting to start an internship at the Smithsonian Museum of American History. And she had a few days to act like a tourist – touring monuments, exploring great little eateries, and visiting museums that have remained open. One of her new faves is the Folger Shakespeare Library. And to be honest, it’s a site I haven’t spent a ton of time exploring until she started texting photos and links to it.
One of the most interesting images for me as a history nerd?
A photo of a botany book from 1672.
Written by a guy named William Hughes, the book focused on the “roots, shrubs, plants, fruit, trees, herbs Growing in the English Plantations in America.” Hughes, who apparently was also a pirate, added a separate “Discourse of The Cacao Nut Tree and the use of its Fruits with all of the ways of making Chocolate into Drink.”
So I’m hooked already. Old books. Chocolate. And piracy. How have I never heard of this place before now?
Here’s the point. We can sometimes get in a rut in our instruction. Textbooks. The occasional SHEG lesson plan. Some Library of Congress documents now and again. And a test. There always seems to be a test.
But we shouldn’t forget that Read more
I know that most of you are settled deep into holiday break mode. Getting up a little bit later than normal. Watching football. Eating too much. Catching up on your reading. Trying to decide if The Mandalorian is worth your time. Enjoying family and friends. Not really thinking about the back to school schedule that cranks up in January.
But if you need a break from all of that free time, we’ve got you covered. Between now and the first week in January, you’ll get a chance to re-live five of the most popular History Tech posts from 2019. Enjoy the reruns!
It comes but once a year. The National Social Studies Supervisors Association and National Council for the Social Studies combined conference. For a history nerd, it’s the winter holiday break, the Final Four, and fresh out of the oven chocolate chip cookies all rolled into one event.
For three days, it’s about conversations that focus on social studies, tools, resources, evidence, and best practices. So what did I learn?
Kelsey Pacer and Laura Israelsen are my people. They may be more nuts about Googley stuff than I am and love sharing their favorite tools and ideas. I sat in on part of their My Maps session earlier in the week and this afternoon, they’re sharing some great ideas for using Google Arts and Culture.
If you never had the chance to visit Arts and Culture, you really need to set time aside to do some serious exploring. The site is dedicated to Read more
Art is hard. It’s not that I don’t like it. It’s that sometimes I just don’t get it. Maybe it’s modern art that causes me trouble. Maybe I’m just too literal. The piece to the left hanging in Seattle’s art museum? I got nothing.
But with the help of an older sister and a daughter, both strong with the art force, I’ve gotten better at making sense of color, shape, perspective, of context and hidden messages. And with the help of a lot of bright people at places like the Smithsonian and Library of Congress, I’m also getting better at looking at art as a form of primary source information, as another way to understand place and time,
For the last few months, I’ve been highlighting the very cool way that teachers are using Norman Rockwell’s Four Freedoms to help students think about the Bill of Rights and contemporary issues. I love using interpretations of the Boston Massacre by Paul Revere and Alonzo Chappel to talk about historical accuracy and encourage historical thinking. The National Portrait Gallery has been huge in showing me ways that we can use portraits such as the Lansdowne image of George Washington by Gilbert Stuart and John Brown in his US Army blanket by Ole Peter Hansen Balling. And who hasn’t used images such as John Gast’s American Progress to lead conversations about Manifest Destiny and the interactions between settlers and American Indians?
But I’m starting to believe even more in the power of artwork as story and primary source. So it’s always great to find another site and set of tools that help integrate art into instruction and learning. I recently ran across SmartHistory and am loving it.
Smarthistory believes that: Read more
She says that it’s been both a blessing and a curse.
My daughter is in Washington DC waiting to start an internship at the Smithsonian Museum of American History. The position was scheduled to begin on January 14. But . . . mmm, yeah. She’s had a couple of weeks of free time due to the inability of grownups to get along and do important things such as paying people and funding the government. And like 100s of thousands of others, she’s looking forward to getting in to work over the next few days.
The silver lining, of course, is that she’s had a few days to act like a tourist – touring monuments, exploring great little eateries, and visiting museums that have remained open. One of her new faves is the Folger Shakespeare Library. And to be honest, it’s a site I haven’t spent a ton of time exploring until she started texting photos and links to it.
One of the most interesting images for me as a history nerd? Read more
Both my kids have always had a strong sense of art, of being able to create visually appealing pieces. (The Rowdie effort to the left by the oldest is not one of his best efforts, though it does accurately convey the family pet’s personality.) We constantly had crayons, painting supplies, easels, and all sorts of other artsy things in use around the house.
I wasn’t much help. My art skills have been described as “creative” and “abstract.”
Both kids continue to share their love for the medium and to help me think about art and artists. And today, a quick conversation with a high school US history teacher meandered down a path that focused on ways to integrate art into our instruction.
So it got me thinking a bit.
We often forget how powerful the arts can be in connecting our kids with social studies content and big ideas. Art, in all of its forms, is a great way to create emotion, generate connections, and build relationships. Whether viewing landscapes, portraits, or historical events through the eyes of contemporary artists, students can get a sense of time, of place, of interpretation that would be impossible using other forms of primary sources.
One of the quickest ways to incorporate the arts is to focus on the visual – paintings, drawings, and images. But I often notice it missing from the toolkits of many social studies teachers. And I’m not exactly sure why. Maybe we’re just not aware of the resources available or the kinds of questions to ask. If we’ve never thought too much about using artwork as an instructional tools, it can be hard finding a jumping off point.
So what can it look like when we intentionally integrate visual art into our classrooms? Try some of these ideas and resources: Read more