Right after my two dream jobs of working at the Library of Congress and the Smithsonian Museum of American History, I’m planning to pop over to National Geographic for a few years. We’ve been connected at the hip since I was in 5th grade and first discovered their amazing graphics and maps.
So I’m sure they’d love to hire me to help out a bit around the office.
Until then, I’ll just be happy playing with some of their very cool toys. This includes, of course, their powerful MapMaker Interactive digital tool.
But it also includes their MapMaker Kits: Read more
Art is hard. It’s not that I don’t like it. It’s that sometimes I just don’t get it. Maybe it’s modern art that causes me trouble. Maybe I’m just too literal. The piece to the left hanging in Seattle’s art museum? I got nothing.
But with the help of an older sister and a daughter, both strong with the art force, I’ve gotten better at making sense of color, shape, perspective, of context and hidden messages. And with the help of a lot of bright people at places like the Smithsonian and Library of Congress, I’m also getting better at looking at art as a form of primary source information, as another way to understand place and time,
For the last few months, I’ve been highlighting the very cool way that teachers are using Norman Rockwell’s Four Freedoms to help students think about the Bill of Rights and contemporary issues. I love using interpretations of the Boston Massacre by Paul Revere and Alonzo Chappel to talk about historical accuracy and encourage historical thinking. The National Portrait Gallery has been huge in showing me ways that we can use portraits such as the Lansdowne image of George Washington by Gilbert Stuart and John Brown in his US Army blanket by Ole Peter Hansen Balling. And who hasn’t used images such as John Gast’s American Progress to lead conversations about Manifest Destiny and the interactions between settlers and American Indians?
But I’m starting to believe even more in the power of artwork as story and primary source. So it’s always great to find another site and set of tools that help integrate art into instruction and learning. I recently ran across SmartHistory and am loving it.
Smarthistory believes that: Read more
Maybe it’s there.
Maybe it’s not.
But we had to go either way, just to say we did. Because it’s not very often that you get the chance to view the burial site of someone’s arm.
So we followed a dirt road off the main highway down to Ellwood Manor near the Chancellorsville battlefield. We had a great tour of the house, discussed why Union general Sheridan hated his fellow general Sedgwick, and examined the cannon balls embedded in a preserved tree trunk.
And then . . . the arm cemetery.
On May 2, 1863, during an evening scouting ride, Confederate general Stonewall Jackson was shot multiple times by his own troops. His left arm was amputated and he died days later from pneumonia. But military chaplain Tucker Lacy didn’t think that the arm of such a Confederate rock star should end up in a pile of limbs of lesser men. So he wrapped the arm in a blanket and took it to the family cemetery at Ellwood. The chaplain gave the limb a standard Christian burial and placed a marker above the site.
The arm is still there. At least the marker is. Urban legends suggest multiple attempts at reburials including one by a Marine Corps general in the 1920s. After conversations and research, the National Park Service staff there aren’t so sure.
But it was an interesting side trip as a part of the larger Wiebe family Civil War Battlefield Extravaganza. Inspired by Tony Horowitz’s book Confederates in the Attic, three of us spent ten days last month exploring multiple sites, battlefields, and that one cemetery with the arm.
It’s was awesome.
As a self-described history nerd, what better way to spend part of May tramping around places like Gettysburg, Antietam, Chancellorsville, Harpers Ferry, and Corydon, Indiana? I’ve got pictures. Lots and lots of pictures.
But how about four things I learned instead? Read more
For many of you, the count may already be down to single digits. May and June aren’t the easiest months of the year and I know that you’re hacking your way through the next few weeks, trying to stay on top of stuff. But it doesn’t have to be painful. These resources can help.
Start with this End of the Year Top 10 from @gingerlewman:
- Highlight your wins and wishes
- Thank others
- Don’t worry so much about grading
Then browse through this quick list of lessons and activities that might make your life a little easier:
And don’t forget the seriously important evaluations from students asking about our teaching practice. You probably already have an instrument that you use to get student feedback but in case you need something, bounce over to this earlier History Tech post for some suggestions.
Have fun the last few weeks – you can do this!
I spent the majority of my grade school years at Alta Brown Elementary School in Garden City, America, working on my three Rs. It was pretty traditional stuff – snacks every afternoon, keeping the metal slipper slide super slick with our waxed milk cartons, lots of math drills, straight rows of desks, and, of course, the very awesome Weekly Reader that showed up every Thursday.
Surely you haven’t forgotten the Weekly Reader.
For those of you who didn’t have that particular grade school experience, the Weekly Reader showed up, well . . . every week. Designed for elementary kids, it highlighted current events and always included interesting feature stories. And it was glorious. At least for a budding social studies nerd like me.
My memories were jogged a week or so ago when I ran across the Read more
After a quick six hour visit to the the Smithsonian National Museum of African American History and Culture yesterday, it just made sense to stop in at the #NCHE2019 session by Maureen Costello, director of Teaching Tolerance. Maureen shared Teaching Tolerance resources that can help you effectively teach issues surrounding the history of slavery in the United States.
“History is not the past. It is the present. We carry our history with us. We are our history.”
Black English: A Dishonest Argument
Maureen started by sharing that most of our students leave high school without an adequate understanding of the role slavery played in the development of the United States – or how its legacies still influence us today.
Slavery’s long reach continues into the present day. The persistent and wide socioeconomic and legal disparities that African Americans face today and the backlash that seems to follow every African-American advancement trace their roots to slavery and its aftermath. If we are to understand the United State and the world today, we must understand slavery’s history and continuing impact.
Unfortunately, research conducted by the Southern Poverty Law Center in 2017 shows that our schools are failing to teach the hard history of African enslavement. They surveyed U.S. high school seniors and social studies teachers, analyzed a selection of state content standards, and reviewed 10 popular U.S. history textbooks. The research indicates that: Read more